Bluegrass Jazz Guitar – Volume One
Flatpicking guitar has taken an interesting journey since its inception, first with Maybelle Carter, then Don Reno, Doc Watson and Clarence White. Younger players who got their start listening to the original masters have melded those influences with other styles, such as Blues, Swing, Classical and even various world music styles.
When first listening to Doc Watson and Clarence White, Barry Solomon was particularly attracted to their use of Swing and Jazz licks and phrasing, and their choices of songs straight from the Tin Pan Alley and Great American Songbook. Tunes like Limehouse Blues, All of Me, and Honeysuckle Rose were exciting challenges to explore, after getting comfortable with Bluegrass and fiddle tunes. Barry always thought that Bluegrass and Jazz were a wonderful combination, and the most gratifying challenge is to create arrangements that meld the two styles in a tasteful and exciting manner.
Lesson One: Lady Be Good, Take The A Train
Lesson Two: Solly’s Blues, Back Home In Indiana
Lesson Three: There’ll Never Be Another You, Georgia On My Mind
Level 3 • 36 page tab book included
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